22 Entertainment have signed you for all your projects. What do you particularly enjoy about your working relationship with them?
22 Entertainment gives me the platform to reach a global audience, without compromising on my artistic vision for the projects. Never have I been asked to “make a Black Eyed Peas beat”, for example, which was a common type of request in the past with other industry contacts. And, they do an amazing job of finding ways to monetize the music, when that is one of the more challenging aspects of the modern music economy. It’s a great situation.